This project emerged from a speculative investigation into the spatial implications of vector-based projection. By interrogating the act of projection not as a representational tool but as a generative force, the studio sought to uncover how directional data could inform, disrupt, and ultimately produce architectural form.
What began as an abstract exploration of trajectories and angles evolved into a three-dimensional artifact—part drawing, part object, part terrain. Through a layered synthesis of surface, void, and volume, the final piece reveals moments where projection gives rise to inhabitable thickness, fractured topographies, and nested geometries.
Fabricated through 3D printing, the piece captures the tension between precision and ambiguity, between digitally derived form and physical presence. It is as much an architectural proposal as it is a sculptural remnant of process—frozen mid-transformation, suspended between vector and volume.
